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October 10th, 2008

Free Guidelines to Qualities of Color

Tips on Oil Paintings - The Qualities of

Any in existence has three qualities that completely determine the :

1) Hue

2) Value

3) Intensity

We will now precisely explain what each quality means.

Hue - The hue of a is simply the name of the . For example, yellow, red, green-yellow, etc.

Temperature is really an element of hue. The warms colors are the yellows and the reds while the cool colors are the greens and the blues.

However, temperature is a relative term. For example although two different blues are both cool colors, one blue can be warmer than another blue.

For example French Ultramarine Blue leans towards the violet while Phthalo Blue leans towards green. Therefore French Ultramarine Blue is a warmer blue than Phthalo Blue although both blues are cool.

Value - Value refers to the lightness or darkness of the . If you squint you will see that, for example, that yellow is lighter than blue. The value of a is actually the most important property of a in relation to painting.

Intensity - Intensity of a refers to its brightness or dullness. The more saturated or the purer a is the more intense it is. A coming straight out of the tube is in its most intense state. Any mixture will dull the tube and therefore make it less intense. It is however possible to make most mixtures more intense by adding a touch of one or another.

Now, if you can nail down the hue, the value, and the intensity of a you will have reproduced that . Based on this observation we can outline a mental procedure to guide us with the mixing of colors.

Observe - First you observe the . For example, is it a certain blue or is it red?

Select - Then you select the on your palette that resembles the observed the best.

Analyze - Of course, as you would expect, the pure tube on your palette will rarely match the you observed. Therefore, we now must identify how the two colors differ from each other. In this, we need to concentrate on three things: hue, value, and intensity. Does the need to be adjusted in terms of hue? Does the value need to be adjusted? For example, does this blue need to be darkened or lightened?

Finally, does the intensity of the need to be adjusted? For example, does the blue need to be brighter or duller? One, two, or all three of these qualities may need adjustment.

So, in this article we have looked at the three important qualities of : hue, value, and intensity. We defined what they are and were able to extract a procedure that we can follow every time we wish to transfer an observed to our canvas.

In the beginning you will make many mistakes and the going will be slow. It is generally hard to judge the three qualities of a and it takes practice. This is particularly the case with judging values and intensities. Nevertheless, you need to practice this procedure every day and over and over again. However, one day it will become second nature just like riding a bicycle. Also, in the beginning don’t be too fussy but try over time to become better and better at it.

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